Kirsty Bennett received her vocal training at Trinity College
of
Music and the Royal Academy of Music
Her roles on stage cover a diversity of styles from Opera
to Musical Theatre
and plays, including numerous Gilbert and Sullivan heroines, both spunky
sopranos and madcap mezzos, a Nymph in Monteverdi’s Orfeo, Anna in
Weill’s Die Sieben Todsünden, Roxie Hart (Chicago), Little Red
Ridinghood
(Into The Woods) and Hannah in Ayckbourn’s Chorus of Disapproval
Credits
AWL
Acting Credits
| Writer | Play | Role | Director |
| Tom Armstrong & Stephanie McKnight | Catching the Sun | Sarah | Kirsty Bennett |
| Elizabeth Gamberoni | Profit-Share Ghosts | Jonquil / Ophelia / Witch | Brendan Gregory |
Acting Credits (Sketches)
| Writer | Sketch | Role |
| Penny Culliford | Start Me Up | Offstage Voice |
| Michael Johnson & Teresa Jennings | Nodding Acquaintances | Offstage Voice |
| Penny Culliford | Away in a Minger | Isoke |
| Martin Cort | Surprise Bundle | Madge |
| Michael Baldwin | Hamlet (The Willow Scene) | Gertrude |
Directing Credits
| Play | Writer |
| Just for You | Rosalind Adler |
| Catching the Sun | Tom Armstrong & Stephanie McKnight |
| The Umpire Strikes Back | Viv Lake |
| Powercut | Rosalind Adler |
| Bruised Blueberries | Rosalind Adler |
| Couch (2005) | Boris Rumney |
| Twenty-Twenty | Paddy Gormley |
| Couch (Original Version: 2004) | Boris Rumney |
| One Man's Rea | Corina Forman |
| Bingo! | Gera McGrath |
| Harley Baby | Michael Hartley |
| Last Orders | Patrick Sheehy |
| Brief Encounter (2003) | Brian Marshall |
| O Goddess | Paddy Gormley |
Termiseran
https://www.uia.archi/sk/termiseran-ultra-nazory-ucinky-zlozenie-cena/
End of constipation!
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