Kate Glover studied History at Oxford University. After
3 years
as a History teacher in secondary schools, she taught English to
International business people in Paris, Trieste, Rome and even far-flung
Tbilisi in Georgia before deciding to train as an actress at the age of
36
Her need for Equity membership prompted her to write a play
Dear Chocolate Soldier. She toured this with another actress and
they both got the coveted Equity card
Skills
| Accents | Irish-Southern, RP, Scotland-Standard, Welsh-Standard, Yorkshire |
| Dance | Scottish Dancing |
| Languages | French, Italian |
| Music | Mezzo-soprano |
| Other | Good movement skills, trained Teacher of History and English as a Foreign Language, experienced Lecturer (subjects include Samuel Pepys, Harold Pinter, The Crisis in the Lebanon and "Georgia: post independence"), Roleplay |
Credits
AWL
Acting Credits
| Writer | Play | Role | Director |
| Peter Sutton | The Prince of Bhawal | Rani Ma | Lucy Appleby |
| Kate Glover | An African’s Blood | Various | Kate Glover |
| Michael Baldwin | Chutney Mary | Nellie Strong | David Hampshire |
Acting Credits (Sketches)
| Writer | Sketch | Role |
| Kate Glover | Judenfrei | Narrator |
| Dermot Murphy | The Exiles Return | Kitty |
| John Caine | When the Wind Blows | Sara |
| Anthony Murphy | Carol’s Christmas | Nancy |
| Carrie Cohen | Five Is Not Enough | Joyce |
| Kate Glover | Not With a Bang | Guide |
Directing Credits
| Play | Writer |
| The Sound of Breaking Glass | Sally Sheringham |
| The Condor and the Maiden | Dermot Murphy |
| An African’s Blood | Kate Glover |
Writing Credits
| Play | Director |
| Old Girls' Day | |
| Judenfrei | Kate Glover |
| Unfriendly Fire | |
| An African’s Blood | Kate Glover |
| Do You Like Being an Aunt? | Susan Bailey |
| Not With a Bang | |
| April Fool |
Film, Television and Videos
| Love Actually | Cabinet Minister | Richard Curtis | Actually Films Ltd |
| State of Grace | Maggie | William Davis | London College of Printing |
| Shadow of an Angel | Mariann | Tilda Harkamp | Goldsmiths |
| Nowhere to Go | Maureen Case | Graham Sherrington | Bournemouth University |
| Divorce – The Law | Clerk of the Court | Robin Gutch | BBC |
| Afternoon Tea | Lady Smythe | Guy Alexander | LIFS |
| A Cats Tale | Liz | Rachel Mooney | Guildhall University |
| First Rites | Mother | D. delle Valle | Bournemouth University |
Theatre
| 24 Hour Bardathon | Various | The Scoop/Word of Mouth Media Prods | |
| The Cocktail Hour | Ann | Robert Rumpf | English Theatre of Hamburg |
| An African's Blood | Hannah More/ Lady Nugent/Mrs Brookes | Kate Glover | Historia Theatre Company and Tour |
| Five Eleven | Anne Vaux | Rebecca Atkinson-Lord | King's Head and UK Tour |
| Evelina | Mme Duval | Kate Glover | Dr Johnson’s House |
| The Importance | Miss Prism | Iqbal Khan | Union Chapel Theatre |
| The Crush | Claire | Mary Considine | Man in the Moon |
| L’Innocente | Signora Hermil | Claudio Macor | Torchlight Theatre Company |
| Sound of Music | Sister Helena | Phil Wilmott | Battersea Arts Centre |
| A Passionate Englishman | Guliema Penn | Amanda Hill | Hen & Chickens |
| Thugs (TimeOut Critic Choice) | Mercedes Golden | Brennan Street | The White Bear |
| Comedy of Errors | Emilia, The Abbess | Mark FitzGerald | The Drayton Co |
| Gerald M Hopkins SJ | Narrator/ Mother | Clive Swift | Tour |
| Lysistrata | Lysistrata | Arthur Winckless | Curtain Theatre |
| Midsummer Nights Dream | Helena | Arthur Winckless | Golden Lane |
| Small Feet on a Moving Street | Noreen | Mark Heath | New End Theatre |
| Dear Chocolate Soldier | Narrator | Richard Jacques | Tour |
| Miss Julie | Christine | Michael Almaz | Café Theatre |
| Jamaican Interlude | Sarah | Elizabeth Sharland | CAA |
| Steven Newman Doesn’t Eat Quiche | Mrs Newman | Liz Carruthers | Edinburgh Fringe |
| Hours by the Window | Cynthia Koestler (lead) | Penny Stokes | Edinburgh Festival Fringe First Man in the Moon |
| Liar Liar | Gill | Andrew Pratt | Tristram Bates Theatre |
| On the Road to Jerusalem | Tamar | Andrew Norton | Riverside Studios |
Writing
| An African's Blood | Kate Glover | Historia Theatre Company and Tour |
| Five Eleven | Rebecca Atkinson-Lord | Historia Theatre Company, King's Head and Tour |
| Evelina (play adapted from Fanny Burney’s novel of the same name) | Kate Glover | Historia Theatre Company/ Pentameters Theatre |
| Dear Chocolate Soldier (play) (1985) | Richard Jacques | Tour |
| Gerard M Hopkins S.J. (play) (1989) | Clive Swift | Pentameters Theatre and Tour |
| Tales from Trieste (volume of short stories) (1990-5): Plans to adapt these into 30 minute screenplays | ||
| A Passionate Englishman (a play about William Penn) (1997) | Amanda Hill | Hen and Chickens Theatre (1997) & The City of London Festival (2000) |
Contact
Crescent Management
10 Barley Mow Passage
London W4 4PH
T: 020 8987 0191 F:
020 8987 0207
Email: mail@crescentmanagment.co.uk
Important Notice
Actors & Writers London (AWL) cannot accept responsibility for any issues arising from the biographical or photographic content of any page of this web-site.
All personal information about AWL members in this web-site is supplied by the individuals themselves. AWL accepts individuals' photographs for publication in this web-site in good faith that either
- any photograph submitted for publication in this web-site is the intellectual property of the member pictured in the photograph or
- the member pictured in the photograph has secured an appropriate licence whereby the photograph may be legally published in this web-site.
AWL accepts photographs of and other information about individuals for publication in this web-site exclusively subject to the conditions that
- the individual accepts full personal responsibility for all issues arising from the publication of any personal photographs or other personal information such as the individual may provide to AWL for the purpose of publication in this web-site.
- the individual agrees to hold AWL harmless in the event of any legal challenge whatsoever arising from the publication in this web-site of any personal photographs or other personal information pertaining to the individual.